The Small Oratory on Skellig emits a welcoming glow under the stars with the Kerry coast and Small Skellig in the background.

The pre-dawn light illuminates the lower monk's garden on Skellig Michael. The Small Skellig and the mountains of Kerry lie in the background.

This is an iconic location, the view down the slip road to the harbour at Dunquin (Dún Chaoin), at the tip of the Dingle peninsula. From here you can catch the boat to the Blasket Islands.
Made on a stormy afternoon using a long exposure, the waves have turned to mist, swirling around the rocks just offshore.

Torc Waterfall is one of the jewels of the Killarney area. A majestic cascade through a leafy valley, it's a place of wonderful calm.
Photographed here on an overcast day, the colours and tones of the scene really shine through.

The winter stars rise above the monastery of Skellig Michael on a calm night.

I love shooting nocturnes - night landscapes. The night sky is a very beautiful thing, and is underappreciated as so many of us live in cities where light pollution hides all but the brightest stars.
Combining the beauty of a dark sky with a dramatic landscape is a real joy for me. So, here's this photograph of the Skellig islands from Valentia island at the tip of the Ring of Kerry. The constellation of Orion dominates the sky above Bray Head while moonlit clouds scud across the frame. The Great Nebula of Orion, M42, is just visible at the end of Orion's Sword.

The Old Weir Bridge in the Killarney National Park is the gateway to the Meeting of the Waters where the Upper Lake (via the Long Range river), Muckross Lake and Lough Leane converge.
This image was made shortly after sunset as the light was fading from the sky.

The Glen Beach is a short stretch of beautiful sandy beach that is often home to dramatic Atlantic surf pounding against it. Seen here on a calmer day, this long exposure smooths out the motion of the water and matches it with the low-lying fog over the cliffs and headlands of Bolus Head.

Made on a moonlit night, ground fog fills the valley, eerily lit by light from a farmhouse. The constellation of Orion is visible in the sky with the snow-covered Macgillycuddy's Reeks in the background.

Coumeenole Beach (sometimes also spelled 'Coumeenoole') is one of the most spectacular beaches in Ireland. Scenes from the film Ryan's Daughter were filmed here, and it's a popular spot for surfers.
This image is made looking towards Dunmore Head and the Great Blasket Island as the tide was coming in one stormy morning in late spring.

An Searrach (The Foal) is a sea stack just outside Dingle Harbour. Visible from the Conor Pass, I'd been meaning to find a good vantage point for it since I first saw it some years ago. Just recently while returning from business in Dingle town shortly after sunset, and in miserable weather I found this spot. Made with a long lens over 30 seconds, I believe it captures the mood of the scene very well.

Cromwell Point is the location of the lighthouse on Valentia Island. it guards the channel between Valentia and Beginish Island. It was built on the site of a 16th century fortification, the outline of which is still apparent.

This is an iconic location, the view down the slip road to the harbour at Dunquin (Dún Chaoin), at the tip of the Dingle peninsula. From here you can catch the boat to the Blasket Islands.
Made on a stormy afternoon using a long exposure, the waves have turned to mist, swirling around the rocks just offshore.

This image was made at Newfoundland Bay on Killarney's Upper Lake. Looking back east to Torc Mountain with the glow from Killarney on the horizon, the Plough (or Big Dipper if you're from the other side of the Atlantic) hangs in the sky overhead like a question mark.

Welcoming light spills out of some of the beehive huts that make up the Skellig Michael monastery on a calm night.

A night view of the Gap of Dunloe, illuminated by moonlight. Snow sits on the mountains as the winter weather of 2010 retreats at last

Gallarus Oratory on the Dingle peninsula by moonlight.