Photographing from Hag's Head for the first time, I discovered this canyon at exactly the right moment. The moon was just rising through the slot - a circumstance I couldn't have planned better.

The cliffs on a very windy afternoon in October.

The sun struggles to penetrate the thick fog lying over the peak of Skellig Michael on blustery day.

The sun rises over the North Peak of Skellig Michael with the monastery huddled on its shoulder.

The winter stars rise above the monastery of Skellig Michael on a calm night.

The sun rises over the Cromwell Point Lighthouse on Valentia Island.

This is an iconic location, the view down the slip road to the harbour at Dunquin (Dún Chaoin), at the tip of the Dingle peninsula. From here you can catch the boat to the Blasket Islands.
Made on a stormy afternoon using a long exposure, the waves have turned to mist, swirling around the rocks just offshore.

The Rock of Cashel is one of the finest examples of medieval architecture to be found in Ireland. Set on a limestone outcrop, it was originally the seat of the high kings of Munster, and was donated to the Church in the 12th century. The scaffolding visible in the photograph is from a long-term conservation project to protect and preserve the elaborate wall paintings in Cormac's Chapel. It has been present since 2009.

This image was made at Newfoundland Bay on Killarney's Upper Lake. Looking back east to Torc Mountain with the glow from Killarney on the horizon, the Plough (or Big Dipper if you're from the other side of the Atlantic) hangs in the sky overhead like a question mark.

Jagged rocks just off the western end of Inis Tiaracht, these rocks mark the westernmost extremity of Ireland. There's nothing between here and the east coast of North America except thousands of miles of open ocean.

This image was made at the same time as my blurred image of "Bluebell Woods, Cork", and in fact this is a vertical composition of that same scene.
Here, I've used a lens with a very wide aperture of f/1.2 to create a very shallow depth-of-field. The two closest trees are sharp, but the bluebells in the foreground and the backround are out of focus - this creates a three-dimensional effect that draws the viewer into the frame.
This effect is further aided by the natural vignetting of the corners of the frame, drawing attention to the center.
I like both of these images. Both have an otherwordly quality to them, but for very different reasons.