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This is an iconic location, the view down the slip road to the harbour at Dunquin (Dún Chaoin), at the tip of the Dingle peninsula. From here you can catch the boat to the Blasket Islands.
Made on a stormy afternoon using a long exposure, the waves have turned to mist, swirling around the rocks just offshore.
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Torc Waterfall is one of the jewels of the Killarney area. A majestic cascade through a leafy valley, it's a place of wonderful calm.
Photographed here on an overcast day, the colours and tones of the scene really shine through.
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This image was made about an hour after sunset. The last vestiges of colour are visible in the sky over the horizon, but the cool blue of night pervades the scene.
The causeway stretches out ahead with the foreground hexagons wet from spray. The thirty second exposure has left the waves a blur.
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Coumeenole Beach (sometimes also spelled 'Coumeenoole') is one of the most spectacular beaches in Ireland. Scenes from the film Ryan's Daughter were filmed here, and it's a popular spot for surfers.
This image is made looking towards Dunmore Head and the Great Blasket Island as the tide was coming in one stormy morning in late spring.
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An Searrach (The Foal) is a sea stack just outside Dingle Harbour. Visible from the Conor Pass, I'd been meaning to find a good vantage point for it since I first saw it some years ago. Just recently while returning from business in Dingle town shortly after sunset, and in miserable weather I found this spot. Made with a long lens over 30 seconds, I believe it captures the mood of the scene very well.
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White Rock Beach on Killiney Bay is an extension of Killiney Beach, but is cut off from the main strand at high tide.
This swimming platform has been carved out of the rock, and is largely exposed at low tide. Taken here with a long exposure at high tide, it seems to be floating in a sea of mist.
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Since my first visit to Cork as a photographer some years ago, I've had it in mind to photograph Toe Head, an imposing headland to the west of Galley Head on the south coast of Cork.
I hadn't found a vantage point I was happy with on the few occasions I'd been around when good light was threatening. However, serendipity paid a visit when I was out with Roger Overall, a commercial photographer and friend of mine.
We met up, I stabbed my finger at a spot on the OS map that looked promising and we arrived at the location in this photograph.
Made looking to the west as the sun was getting low in the sky, it shows the headland's most imposing aspect with the rocks in the foreground leading the viewer up to it.
Made using a filter which forces a long exposure, the water and waves take on a misty character which adds to the character of the scene.
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Made on a late spring evening from Bray Head on Valentia Island. Visible on the horizon are, from left to right: Lemon Rock, the Little Skellig (An Sceilig Bheag) and Skellig Michael (Sceilig Mhicíl). The Skelligs have a long monastic history and are arguably the most spectacular feature of Ireland's landscape.
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Fanad Head is one of the more dramatic and photogenic lighthouses around the coast. Made around midnight, I picked my way carefully along the adjacent headland by torchlight and found a good spot.
The photograph was exposed for four minutes, giving plenty of movement in the clouds and some significant star trails which are visible in the clear patch above the light itself.
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An Searrach (the foal) is a prominent sea stack on the Dingle coastline near Lispole. This image was made in the late afternoon on a fine summer's day. A long exposure was used to blur the movement of waves and clouds.
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This image was made on a fine October's evening. It is looking east over Lough Eighter in the Coomloughra valley in the Macgillycuddy's Reeks. The peaks of Caher, Carrauntoohil and Beenkeragh, three of the tallest mountains in ireland, dot the ridge which towers over this high valley.
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Made on my second visit to the north Antrim coast in 2009, this view of Fair Head from Colliery Bay is my favourite of that trip.
The weather was threatening in the pre-dawn hours, but there was a band of clear sky right where the sun was due to rise. The low clouds are lit from beneath as it rises over the Scottish Hebrides, but all too soon the show was over and it vanished behind the advancing cloud cover.
Being in the right place at the right time is crucial for successful landscape photography. On this morning I realized the shot I had planned, which relied upon golden sunlight on the scene, was not going to happen - so I shifted gears and went to a location where I'd be able to shoot directly at the Sun as it rose.
The tactic paid off in this case, and this image - made at the peak of the light show - shows that the red light wasn't quite strong enough to fully light the underside of the clouds nor to illuminate the rocks. The result is a contrast of warm and cool colours which I feel work very well.
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Made during my trip to visit the Bull Rock Lighthouse in early Summer, 2010. This image was made on the way down from the old fog signal station and shows the illuminated lighthouse against the empty sea beyond.
As this is a night image, the exposure was long and thus the waves and clouds are completely smoothed out, creating a timeless look.
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This photograph was made in the evening after the lantern had come on in the lighthouse. The open door is very inviting - lighthouses were always very hospitable places. Unfortunately, since automation more often than not the doors are barred as there's no one present. When work is ongoing, for a brief time some of that old hospitality comes back to life.
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Dún Briste (Broken Fort) is an impressive sea stack at Downpatrick Head on the North Mayo coast. Standing 50 meters (164 feet) high, it was once part of the mainland, connected by a sea arch. It's not known for sure when the arch collapsed, but it seems likely to have been sometime in the 14th century.
Normally viewed from the adjacent cliffs, the most impressive views of the stack are from sea level. This image was made from the base of the cliffs near the entrance to one of the caves that undercut the headland. It should be noted that this an extremely dangerous spot to get to and should only be attempted while in the company of someone who has been there before, and with good knowledge of the local tides and sea conditions. It is possible to become trapped by the incoming tide and a rogue wave could easily sweep you out to sea.
This swirl in the foreground is a result of the long exposure revealing the flow pattern as the waves ebb off the platform. The pool here is about 8 feet deep, and has been carved out of the flat rock platform by countless years of such action. If it wasn't for the danger of being swept away, it would make an excellent jacuzzi!
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Clogher Strand is one of the more spectacular beaches in Ireland and is renowned for its pounding surf in westerly storms. Inis Tuaisceart (An Fear Marbh) is visible through the channel.
I’m delighted with my purchase of the Gearagh. The photo brings a sense of piece and tranquility to me. It’s a magical photo where you can almost feel yourself sitting on that bench enjoying the moment.
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The Pan's Rock is a popular fishing spot on Ballycastle Beach on the North Antrim Coast, or the Causeway Coast as it is also known.
Reachable at low tide by hopping the slippery rocks, it becomes an island at high tide, and so a footbridge has been built out to it.
In this view of the rock, made an hour or so after dawn, a long exposure of two minutes has been used to smooth out the movement in the water. This has also blurred the clouds which were moving briskly from the north. Rathlin Island is visible on the horizon.
This is another favourite image from the second Antrim trip I took in 2009, and produces a stunning large print.
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The Muglins lie about half a mile northeast of Dalkey Island, and are a danger to shipping. Many ships came to grief on these rocks until a light was established at around the turn of the 20th century.
This image was made on a very fine night, and shows the northeastern extent of Dalkey Island, with the Muglins light beyond. On the horizon, the Kish lighthouse winks at us.
This is one of the images that I'm most happy with. It is simple, but there is plenty for the eye to wander over and appreciate - most notably the line of clouds near the horizon and the fine detail in the Moon's reflection. The sea is slightly smoothed as it was a long exposure - perhaps 15 seconds or so.
This is the second image I've made of this location. Slightly earlier in the night than the first, and in almost identical weather conditions, it adds colour which I felt was lacking in the original.
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Made on my visit to the Bull Rock lighthouse, the largest of the three offshore islands the Bull, the Cow and the Calf.
In this image, looking back to the mainland you can see the Cow (the largish island in the center of the frame), the Calf (to the right with the broken-off lighthouse) and Dursey Island (the largest island in the center of the frame).
Made with a long exposure, the sea and the clouds have smoothed out completely. I very much like the quiet moodiness of this image.