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This is an iconic location, the view down the slip road to the harbour at Dunquin (Dún Chaoin), at the tip of the Dingle peninsula. From here you can catch the boat to the Blasket Islands.
Made on a stormy afternoon using a long exposure, the waves have turned to mist, swirling around the rocks just offshore.
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Torc Waterfall is one of the jewels of the Killarney area. A majestic cascade through a leafy valley, it's a place of wonderful calm.
Photographed here on an overcast day, the colours and tones of the scene really shine through.
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This image was made about an hour after sunset. The last vestiges of colour are visible in the sky over the horizon, but the cool blue of night pervades the scene.
The causeway stretches out ahead with the foreground hexagons wet from spray. The thirty second exposure has left the waves a blur.
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An Searrach (The Foal) is a sea stack just outside Dingle Harbour. Visible from the Conor Pass, I'd been meaning to find a good vantage point for it since I first saw it some years ago. Just recently while returning from business in Dingle town shortly after sunset, and in miserable weather I found this spot. Made with a long lens over 30 seconds, I believe it captures the mood of the scene very well.
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White Rock Beach on Killiney Bay is an extension of Killiney Beach, but is cut off from the main strand at high tide.
This swimming platform has been carved out of the rock, and is largely exposed at low tide. Taken here with a long exposure at high tide, it seems to be floating in a sea of mist.
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Coumeenole Beach (sometimes also spelled 'Coumeenoole') is one of the most spectacular beaches in Ireland. Scenes from the film Ryan's Daughter were filmed here, and it's a popular spot for surfers.
This image is made looking towards Dunmore Head and the Great Blasket Island as the tide was coming in one stormy morning in late spring.
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Since my first visit to Cork as a photographer some years ago, I've had it in mind to photograph Toe Head, an imposing headland to the west of Galley Head on the south coast of Cork.
I hadn't found a vantage point I was happy with on the few occasions I'd been around when good light was threatening. However, serendipity paid a visit when I was out with Roger Overall, a commercial photographer and friend of mine.
We met up, I stabbed my finger at a spot on the OS map that looked promising and we arrived at the location in this photograph.
Made looking to the west as the sun was getting low in the sky, it shows the headland's most imposing aspect with the rocks in the foreground leading the viewer up to it.
Made using a filter which forces a long exposure, the water and waves take on a misty character which adds to the character of the scene.
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Made on a late spring evening from Bray Head on Valentia Island. Visible on the horizon are, from left to right: Lemon Rock, the Little Skellig (An Sceilig Bheag) and Skellig Michael (Sceilig Mhicíl). The Skelligs have a long monastic history and are arguably the most spectacular feature of Ireland's landscape.