A stormy afternoon at Slea Head. Just above Coumeenole Beach, the characteristic jagged rocks stand defiant against the wild Atlantic swell.

A rock formation on the beach at Coumeenole as the tide comes in. Blasket Islands in the background.

Skellig Michael is perhaps Ireland's most alluring location. Wild and untamed, it was home to a monastery of ascetic monks from about the 6th to the 13th century.
This image was made from across Christ's Saddle between the two peaks of the island, looking towards the North Peak, which is where the monastery is located.

Lough Leane is the largest of the Lakes of Killarney, and is seen here looking from Reen Pier near Ross Castle towards the Purple Mountain group (consisting of Tomies, Purple and Shehy mountains).
The Lakes are world famous for their beauty and I've long been looking for an image that conveyed the scale and calmness of this area. It wasn't until fairly recently that the combination of clouds, calm water and warm light made this photograph possible.

This image shows detail of the sound between Valentia and the mainland. The bridge that links the island to Portmagee can be clearly seen. The bridge was built in 1970, and previously a ferry ran from the village. At the eastern end of the island, a ferry still runs, connecting that side with the town of Cahersiveen.
In the distance, the snow-capped peaks of the Macgillycuddy’s Reeks, Ireland’s highest mountain range, huddle together beneath a squall.

The Upper Lake, one of the famous Lakes of Killarney, is probably the most scenic. This is a classic view, looking out over the Macgillycuddy's Reeks from a location used by the lake's boatmen to tie up at the end of the day. Snow rests on the mountains on a fresh winter's day.

Geokaun Mountain is the highest point on Valentia Island. In this classic panoramic view looking east, Fort Point and the Valentia lighthouse are visible in the bottom right. Beginish Island and Doulus Head also make an appearance.
I was even able to bribe some sheep to wander into the frame at left for the authentic rural Irish experience!

The Skelligs march to the horizon with Puffin Island in the foreground as the sun sets.

Inis Tuaisceart, or as it's also known, the Sleeping Giant or an Fear Mearbh is blanketed in low cloud as the sun sets behind it, illuminating the sea around it with rich golden light.

Ireland's coast is at its best during stormy weather. Nowhere more so than the tip of the Dingle peninsula.
In this image, the Great Blasket Island is battered by storm force winds and large waves as the sun sinks to the horizon.

The Skellig monastery shelters beneath the jagged precipice of the North Peak at sunrise.

Killarney and its surroundings are one of the gems of Irish landscape. In this image, a long exposure looking out over Lough Leane to the Macgillycuddy's Reeks, some of that drama comes to life.
Purple Mountain, Cnoc an Bhráca, and Cruach Mhór are all visible. Carrauntoohil and the rest of the Reeks are all lost in the dark clouds beyond.

A lone figure lights the way to the monastery on the peak of Skellig Michael on a calm night.

Seen from the air at sunset on a fine September evening.

Being mainly famous for its 6th century monastery, the dramatic island of Skellig Michael also boasts two lighthouses built in 1830. This image was made of the lower lighthouse from the road to the upper (which was discontinued and abandoned in 1870).
Made shortly after moonrise, the image shows the light in its new guise. Just a couple of weeks before this image was made, the old fresnel lantern was decommissioned and a modern LED lantern mounted on the balcony. In a large print, this new light can be seen illuminated. It has great advantages in cost of operation, but unfortunately means that the rest of the lighthouse complex is surplus to requirements and will be closed up. The end of an era, but on this trip I was fortunate enough to enjoy the hospitality of the lighthouse for possibly the last time ever.
This is one of my favourite images of recent times. I love the line of the road leading down to the light, and even more the evidence of nature's relentless assault in the cracked and damaged walls, and the overgrown road itself.

The Colleen Bawn Rock is one of the scenic highlights of the Killarney National Park. This image, with Torc Mountain on the left, was made at sunrise on a late spring morning. It was an unpromising start at 4.30am when I woke up, but the clouds broke up to give the dramatic sky you see in the photograph.

This part of the Kerry coast is one the keeps drawing me back. For my first book, The Irish Light, it took me ve years to capture the cover image, which was photographed here. This aerial view shows the headland in context with the dramatic Blasket Islands. This is the westernmost part of the mainland of Ireland. The island to the right of the setting sun is Inis Tuasiceart, the Northern Island. It’s also known locally as An Fear Marbh, the Dead Man. Or, less morbidly, the Sleeping Giant.

This was one of the finest sunrises I've ever experienced. The combination of clear skies in the northeast and low cloud and fog on the mountain allowed this dramatic composition including the sun, filtered through layers of mist.