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We don't get much in the way of thunderstorms in Ireland, and when one does arrive it's usually pretty mild. On this evening, however, I experienced a storm that seemed stronger than anything I'd encountered while living for 10 years in the American mid-west.
Once things calmed down enough to permit photography, I grabbed the camera and this is the result. I love the dark tones and the way the lightning has lit the underside of the clouds.
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Since my first visit to Cork as a photographer some years ago, I've had it in mind to photograph Toe Head, an imposing headland to the west of Galley Head on the south coast of Cork.
I hadn't found a vantage point I was happy with on the few occasions I'd been around when good light was threatening. However, serendipity paid a visit when I was out with Roger Overall, a commercial photographer and friend of mine.
We met up, I stabbed my finger at a spot on the OS map that looked promising and we arrived at the location in this photograph.
Made looking to the west as the sun was getting low in the sky, it shows the headland's most imposing aspect with the rocks in the foreground leading the viewer up to it.
Made using a filter which forces a long exposure, the water and waves take on a misty character which adds to the character of the scene.
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Made from the balcony of the lighthouse, the view is back towards Cape Clear Island with the base of the old lighthouse and the helipad in the foreground as the pink light of dawn grows.
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This photograph was made in the evening after the lantern had come on in the lighthouse. The open door is very inviting - lighthouses were always very hospitable places. Unfortunately, since automation more often than not the doors are barred as there's no one present. When work is ongoing, for a brief time some of that old hospitality comes back to life.
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Baltimore, Co. Cork is a popular sailing destination, and perhaps more so than most Irish coastal towns has a strong maritime tradition.
One piece of evidence for this is the beacon rising on a point above the town, at the entrance to the harbour. Known as "Lot's Wife" due to its resemblance to that unfortunate Biblical character who was turned into a pillar of salt, it was built by order of the British Government after the 1798 rebellion.
Across the channel, you can see Sherkin Island, one of the many islands in Roaringwater Bay. The Sherkin Lighthouse winks red across the water, marking the other side of the narrow entry to Baltimore Harbour.
This image was made about 45 minutes after sunset, which accounts for the rather blue/magenta colour and the movement in the clouds.
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This image of Ballycotton Island and lighthouse was made late at night. Two exposures were necessary to make it - one to capture the lighthouse, island and water, and the other to capture the starfield and sky.
The result is an image that is a true representation of what it was like to stand on the cliffs looking out on this fantastic scene.
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Made during my trip to visit the Bull Rock Lighthouse in early Summer, 2010. This image was made on the way down from the old fog signal station and shows the illuminated lighthouse against the empty sea beyond.
As this is a night image, the exposure was long and thus the waves and clouds are completely smoothed out, creating a timeless look.
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Made on my visit to the Bull Rock lighthouse, the largest of the three offshore islands the Bull, the Cow and the Calf.
In this image, looking back to the mainland you can see the Cow (the largish island in the center of the frame), the Calf (to the right with the broken-off lighthouse) and Dursey Island (the largest island in the center of the frame).
Made with a long exposure, the sea and the clouds have smoothed out completely. I very much like the quiet moodiness of this image.
I’m delighted with my purchase of the Gearagh. The photo brings a sense of piece and tranquility to me. It’s a magical photo where you can almost feel yourself sitting on that bench enjoying the moment.