Killarney and its surroundings are one of the gems of Irish landscape. In this image, a long exposure looking out over Lough Leane to the Macgillycuddy's Reeks, some of that drama comes to life.
Purple Mountain, Cnoc an Bhráca, and Cruach Mhór are all visible. Carrauntoohil and the rest of the Reeks are all lost in the dark clouds beyond.

The Small Oratory on Skellig emits a welcoming glow under the stars with the Kerry coast and Small Skellig in the background.

Clogher Strand is one of the more spectacular beaches in Ireland and is renowned for its pounding surf in westerly storms. Inis Tuaisceart (An Fear Marbh) is visible through the channel.

The moon rises above the flooded Gearagh near Macroom in Cork.

A tree root emerges from the submerged forest of the Gearagh, Co. Cork.

Made on my visit to the Bull Rock lighthouse, the largest of the three offshore islands the Bull, the Cow and the Calf.
In this image, looking back to the mainland you can see the Cow (the largish island in the center of the frame), the Calf (to the right with the broken-off lighthouse) and Dursey Island (the largest island in the center of the frame).
Made with a long exposure, the sea and the clouds have smoothed out completely. I very much like the quiet moodiness of this image.

A short pier extends into the bay in this long exposure as the sun sets behind heavy cloud.

Coumeenole Beach (sometimes also spelled 'Coumeenoole') is one of the most spectacular beaches in Ireland. Scenes from the film Ryan's Daughter were filmed here, and it's a popular spot for surfers.
This image is made looking towards Dunmore Head and the Great Blasket Island as the tide was coming in one stormy morning in late spring.

A lone figure lights the way to the monastery on the peak of Skellig Michael on a calm night.

Made during my trip to visit the Bull Rock Lighthouse in early Summer, 2010. This image was made on the way down from the old fog signal station and shows the illuminated lighthouse against the empty sea beyond.
As this is a night image, the exposure was long and thus the waves and clouds are completely smoothed out, creating a timeless look.

This image of Ballycotton Island and lighthouse was made late at night. Two exposures were necessary to make it - one to capture the lighthouse, island and water, and the other to capture the starfield and sky.
The result is an image that is a true representation of what it was like to stand on the cliffs looking out on this fantastic scene.